Faces Ooh La La First U.S Pressing Vinyl RIp Flac
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Ooh La La
Studio album by Faces
Released April 1973
Recorded September 1972-January 1973
Genre Rock
Length 30:33
Label Warner Bros.
Producer Glyn Johns
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Allmusic 4.5/5 stars link
Ooh La La is the final studio album by the rock and roll band Faces, released in April 1973.
Contents
Story
With his career in the stratosphere due to successes from his solo albums, Rod Stewart became increasingly distanced from his band mates, who were by the time of the album's recording little more than his backing group in concerts. As a result, according to Ian McLagan, Ooh La La was "Ronnie (Lane)'s album", Stewart distracted enough to have missed the first fortnight's worth of sessions (Five Guys, p. 30). The album's recording would be plagued by Stewart's absence. Nonetheless, producer Glyn Johns held the group together, helping to placate tensions as he had with the Beatles during their Get Back sessions and helping the group to record a strong album in the style of its predecessor as opposed to the group's first two releases, which were self-produced and rather lengthy. Johns' contribution is acknowledged in the album's credits with the comment "Produced by Glyn Johns (see you in a year)," suggesting that the Faces intended to work again with Johns on their next studio album - one that ultimately would never be made.
Shortly after the album's release, Stewart reported to New Musical Express that he felt that Ooh La La was a "stinking rotten album", later making things worse by telling Rolling Stone that what he had actually said was that the group was capable of "doing a better album than we've done" (Five Guys, p. 32). The rest of the group was understandably hurt by the comments. Ronnie Lane, especially hurt and not looking forward to being even more increasingly relegated to the sidelines, quit in June and was replaced shortly thereafter by former Free bassist Tetsu Yamauchi. The group recorded three subsequent singles, but never again recorded an album, disbanding in late 1975.
The cover is a photo of "Gastone", a stage character of Ettore Petrolini, an Italian comedian of the 1920s. The original LP cover was designed in such a way that when the top edge was pressed down Gastone's eyes would discolor and move to the side, while his jaw dropped into a leering smile.
The Tracks
There was one composition by the band save for Stewart, the instrumental "Fly In The Ointment". The only composition by the four to make it onto any of their albums, it is a mid-tempo riff-laden groove, featuring the forceful bass of Lane, chunky rhythm and slide guitar work of Wood, soulful organ and driving electric piano of McLagan, ably supported by the steady drumwork of Jones and guest percussionist Neemoi "Speedy" Aquaye.
Stewart's four tracks were written mostly in tandem with Wood and McLagan. Characteristically, three ("Silicone Grown", "My Fault", "Borstal Boys") are up-tempo numbers that serve to showcase the liquored-up looseness that the group ably provided Stewart, a looseness he never again would be able to replicate after the group's disbanding and his subsequent move to America in 1975. "Cindy Incidentally", driven by the prevalent piano of McLagan and the rhythm guitar of Wood, also showcases the looseness, though the vocal performance is more akin to one Stewart would usually reserve for his solo albums. They take up the bulk of the first side of the record, separated by one Lane composition which Stewart had helped to complete.
Lane's five tracks (four on the second side, one on the first) showcased the tender, folky side of the singer-songwriter, the tracks rooted in acoustics with Lane and Stewart singing some of the most endearing vocals that they ever would. The title track, a Lane composition, was unique in the Faces' repertoire. Instead of featuring Stewart or Lane on vocals, it featured the first-ever vocal from guitarist Ronnie Wood. Though Lane had written the bulk of the ode to carefree living and its inevitable payback, he had written it for Stewart to sing, as it had been written for a singer out of his range. Stewart, meanwhile, claimed that the song was in the wrong key for him. Wood's somewhat uneasy tenor, which the group jested him about during the song's playback (Five Guys, p. 31), closed the album. Ironically, Stewart would cover the song on his 1998 album When We Were the New Boys.
The title track "Ooh La La" is featured at the end of Wes Anderson's film Rushmore (1998). The song "Glad And Sorry" is featured in the film Blow (2001).
Track listing
"Silicone Grown" (Rod Stewart, Ronnie Wood) - 3:05
"Cindy Incidentally" (Ian McLagan, Stewart, Wood) - 2:37
"Flags and Banners" (Ronnie Lane, Stewart) - 2:00
"My Fault" (McLagan, Stewart, Wood) - 3:05
"Borstal Boys" (McLagan, Stewart, Wood) - 2:52
"Fly in the Ointment" (Kenney Jones, Lane, McLagan, Wood) - 3:49
"If I'm on the Late Side" (Lane, Stewart) - 2:36
"Glad and Sorry" (Lane) - 3:04
"Just Another Honky" (Lane) - 3:32
"Ooh La La" (Lane, Wood) - 3:30
Personnel
Glyn Johns - producer, engineer
Rod Stewart - lead vocals, rhythm guitar
Ronnie Wood - lead, slide and rhythm guitar, bass, vocals
Ian McLagan - piano, organ, harmonium
Ronnie Lane - bass, rhythm guitar, tambourine, vocals
Kenney Jones - drums
Neemoi "Speedy" Aquaye - congas, shakers (track 6)
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