Notes

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13th Floor Elevators - 7th Heaven: Music Of The Spheres The Complete Singles Collection
This rip from the 2010 Charly Limited Edition CD

Sorry but it is not possible to scan the book that is with this cd. I have included scans of the cover & disc.

To all of you who say thanks & help seed, thank you from me. To the rest of you saying thanks costs you nothing, so give it a go!





Review by Steve Leggett

Rock & roll history is full of casualties, but the story of the 1960s Texas psychedelic folk-rock group the 13th Floor Elevators, led by guitarist and singer Roky Erickson
and lyricist and electric jug player (and sometimes Svengali) Tommy Hall, reads like a slow motion cultural train wreck as the band battled record labels, local police,
various inner demons, and several judges and courts while gobbling LSD like so many tic-tacs -- all of which culminated in Erickson proclaiming he was a Martian in order to
avoid prison on drug charges, a move that landed him in an asylum for the criminally insane until 1972. It’s a wonder any music was made at all. But it did get made, and this
was a very unique band, if never a commercially successful one -- maybe because their often unhinged recordings sounded like Captain Beefheart playing folk-rock while insanely
drunk and pissed off in the basement. The 13th Floor Elevators released seven singles in all between January of 1966 and December of 1968, each of which, along with the B-sides,
is preserved in this set in its original mono 45 rpm version, and hearing them back to back is a glorious piece of garage band heaven. Sides like the group’s signature
“You’re Gonna Miss Me,” the queasy but perfect cover of Bob Dylan’s “Baby Blue,” the LSD treatise “Slip Inside This House,” and the beautiful and eerie “May the Circle Remain Unbroken”
could only have been created by this singular band of sneering and evaporating Texas musicians -- they did sound at times like they came from Mars. Also here are the stereo mixes
of four tracks the band recorded for a limited-edition French EP, which just spreads the wonderful chaos that was the 13th Floor Elevators across two channels.


Track List




1 You're Gonna Miss Me Erickson 2:30
2 Tried to Hide 2:22
3 Reverbaration Erickson 2:47
4 Fire Engine Erickson 2:37
5 (I've Got) Levitation 2:36
6 Before You Accuse Me Diddley 2:37
7 She Lives (In a Time of Her Own) Erickson 2:56
8 Baby Blue 5:12
9 Slip Inside This House Erickson 4:06
10 Spash 1 Erickson 3:52
11 May the Circle Remain Unbroken Erickson 2:42
12 I'm Gonna Love You Too Maudlin 1:58
13 Livin' On 3:24
14 Scarlet and Gold 4:59
15 Reverbaration 2:53
16 You're Gonna Miss Me 2:30
17 Fire Engine 2:37
18 Tried to Hide 2:48

from silver


Review by Steve Leggett

Rock & roll history is full of casualties, but the story of the 1960s Texas psychedelic folk-rock group the 13th Floor Elevators, led by guitarist and singer Roky Erickson and lyricist and electric jug player (and sometimes Svengali) Tommy Hall, reads like a slow motion cultural train wreck as the band battled record labels, local police, various inner demons, and several judges and courts while gobbling LSD like so many tic-tacs -- all of which culminated in Erickson proclaiming he was a Martian in order to avoid prison on drug charges, a move that landed him in an asylum for the criminally insane until 1972. It’s a wonder any music was made at all. But it did get made, and this was a very unique band, if never a commercially successful one -- maybe because their often unhinged recordings sounded like Captain Beefheart playing folk-rock while insanely drunk and pissed off in the basement. The 13th Floor Elevators released seven singles in all between January of 1966 and December of 1968, each of which, along with the B-sides, is preserved in this set in its original mono 45 rpm version, and hearing them back to back is a glorious piece of garage band heaven. Sides like the group’s signature “You’re Gonna Miss Me,” the queasy but perfect cover of Bob Dylan’s “Baby Blue,” the LSD treatise “Slip Inside This House,” and the beautiful and eerie “May the Circle Remain Unbroken” could only have been created by this singular band of sneering and evaporating Texas musicians -- they did sound at times like they came from Mars. Also here are the stereo mixes of four tracks the band recorded for a limited-edition French EP, which just spreads the wonderful chaos that was the 13th Floor Elevators across two channels.