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The Rolling Stones - Hot Rocks 1964-1971 (1971)

Track listing:
CD1
  1. Time Is On My Side 3:01
  2. Heart Of Stone 2:46
  3. Play With Fire 2:14
  4. Satisfaction 3:48
  5. As Tears Go By 2:47
  6. Get Off My Cloud 2:57
  7. Mother's Little Helper 2:49
  8. 19th Nervous Breakdown 4:00
  9. Paint It Black 3:48
  10. Under My Thumb 3:44
  11. Ruby Tuesday 3:20
  12. Let's Spend The Night Together 3:39
CD2
  1. Jumpin' Jack Flash 3:44
  2. Street Fighting Man 3:18
  3. Sympathy For The Devil 6:28
  4. Honky Tonk Women 3:04
  5. Gimme Shelter 4:36
  6. Midnight Rambler (Live) 9:12
  7. You Can't Always Get What You 7:33
  8. Brown Sugar 3:51
  9. Wild Horses 5:41

Notes


This two-LP/two-CD set is both a lot more and a bit less than what it seems. It is seven years' worth of mostly very high-charting — and all influential and important — songs, leaving out some singles in favor of well-known album tracks, and in the process, giving an overview not just of the Rolling Stones' hits but of their evolving image. One hears them change from loud R&B-inspired rockers covering others' songs ("Time Is on My Side") into originators in their own right ("Satisfaction"); then into tastemakers and style-setters with a particularly decadent air ("Get Off of My Cloud," "19th Nervous Breakdown"); and finally into self-actualized rebel-poets ("Jumpin' Jack Flash," "Midnight Rambler") and Shaman-like symbols of chaos. On its initial release, Hot Rocks sold well, not only as a unique compilation but also as a panorama of the 1960s. The only flaw was that it didn't give a good look at the Stones' full musical history, ignoring their early blues period and the psychedelic era. There are also some anomalies in Hot Rocks' history for the collector — the very first pressings included an outtake of "Brown Sugar" featuring Eric Clapton that was promptly replaced; and the original European CD version, issued as two separate discs on the Decca label, was also different from its American counterpart, featuring a version of "Satisfaction" mastered in stereo and putting the guitars on separate channels for the first time. Those musicologist concerns aside, this is still an exciting assembly of material.