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Roky Erickson - Evil Hook Wildlife - Consolidated Arts Warehouse, Houston Tx 1984 (Roky Erickson Cd Club Rokcdr 016)

Track listing:
Volume 1
  1. Before You Accuse Me 8:03
  2. Splash 1 7:16
  3. Bloody Hammer 4:12
  4. Bloody Hammer 8:42
  5. Don't Slander Me 9:36
  6. Clear Night For Love 8:21
  7. Red Temple Prayer 11:48
  8. You're Gonna Miss Me 13:35
Volume 2
  1. The Beast 7:13
  2. Don't Shake Me Lucifer 7:46
  3. You'r Gonna Miss Me 6:05
  4. Splash 1 2:11
  5. Intro 0:41
  6. Red Temple Prayer 3:59
  7. Interview 1:13
  8. Click Your Fingers Applauding The Play 4:06
  9. Interview 0:43
  10. You're Gonna Miss Me 5:07
  11. Outro 0:34
  12. Intro-Interview 0:28
  13. Red Temple Prayer 4:07
  14. Starry Eyes 5:47
  15. Don't Slander Me 5:31
  16. Interview 2:20
  17. Don't Shake Me Lucifer 5:22
  18. You're Gonna Miss Me 4:59

Notes


ROKY ERICKSON CD CLUB - RELEASE #16
Disc 1


8/11/84 Consolidated Arts Warehouse, Houston, Texas
(3rd gen audience, John Ike Walton w/Evil Hook Wildlife)


Disc 2
1. The Beast
2. Don't Shake Me Lucifer
3. You're Gonna Miss Me (reprise)
4. Splash One (Now I'm Home) (reprise - cuts)

8/11/84 KTXZ-FM, Austin Opera House, Austin, Texas
5. Intro
6. Red Temple Prayer (Two Headed Dog)
7. Interview
8. Click Your Fingers Applauding The Play
9. Interview
10. You're Gonna Miss Me
11. Outro

10/1/84 KTXZ-FM, Austin Opera House, Austin, Texas
12. Intro/Interview
13. Red Temple Prayer (Two Headed Dog)
14. Starry Eyes
15. Don't Slander Me
16. Interview
17. Don't Shake Me Lucifer
18. You're Gonna Miss Me

Notes:
This is the crash and burn of the final 13th Floor Elevators reunion attempt (with Roky). It's John Ike playing with Evil Hook Wildlife. Ronnie quit because he said he never got paid for the 6/16/84 gig. Long jams are the order of the evening but Roky burns above them. The You're Gonna Miss Me has a long guitar intro thats cool. Then Roky starts screaming. That is cool too. This is 3rd gen audience that has had all the hiss & ugliness scooped out with Soundforge. The second disc is filled out with two radio broadcasts from 1984 at the Austin Opera House.