 
		
   THE JOURNEYMEN
 The Journeymen  
 Capitol T 1629 (mono)
 Released October 30, 1961
 Recorded on three-track at Capitol Records, New York, March 1961
 Produced by Andy Wiswell
 Musical Personnel:
            John Phillips - vocals and guitar
            Scott McKenzie - vocals and guitar
            Dick Weissman - vocals, banjo and guitar
 Known Additional Musicians:
  
            Arnold Fishkin - bass on "River, She Come Down"
 
    SIDE ONE
 
 1) River Come Down (trad, new arr by John Phillips and Richard Weissman)        2:50  
    Originally a Jamaican melody, is heard here with new lyrics 
    by Dick and John.
 
 2) Soft Blow the Summer Winds (John Phillips)                                   2:30                                
    One of John's own compositions. It's a memorable contribution to 
    our Civil War heritage, and it gives Dick a chance to embroider 
    an intricate banjo solo on it's march-tempoed but wistful refrain.
 
 3) Black Girl (trad, new arr by John Phillips and Richard Weissman)             2:20
    (This song is more commonly known as "Where Did You Sleep Last Night")
    With it's melancholy tune and lyrics, makes a beautiful duet as 
    sung here by Scott and John. The melody and first verse were
    unearthed in Kentucky in 1917 by the grat folk scholar Cecil Sharp.
 4) Dunya (trad, new arr by John Phillips and Richard Weissman)                  2:28
    A traditional Israeli hora, sung here with lyrics by Dick
    and John. The trio's fine instrumental work and vocal esprit 
    de corps add a lot of new excitement to this ageless melody.
 5) Fennario (trad, new arr by John Phillips and Richard Weissman)               2:46 
    Variously titled Pretty Peggy O and Pretty Fanny O, is an
    adaptation of the English-Scottish Pretty Girl of Darby O. 
    This particular version is another civil war song, reflecting 
    the effects of battle on the home-front, and the influence 
    of a certain love affair on the course of the war.
 6) Ride, Ride, Ride (John Phillips)                                             2:43
    Another of John's compositions, this time stemming from 
    the lore of the Wild West. The dash and gallop of the
    rhythms realistically potray the tensely dramatic pursuit 
    of a young outlaw by the sheriff's posse.
    SIDE TWO
 
 1) 500 Miles (Hedy West)                                                        2:43                                                          
    Goes back many years in the Northern Georgia family of Hedy
    West, who collaborated with John on this arrangement. It is 
    clearly reminiscent of laments sung though the years by cowboys, 
    sailors, and railroad men.
 2) Rock Me Lord (trad, new arr by John Phillips and Richard Weissman)           2:28
    The kind of head-swining, foot-tapping song sung and clapped 
    at old-fashioned camp meetings. It's a Negro-spiritual-derived 
    tune, and the Journeymen give full emphasis to it's original 
    exciting beat.
 3) Make Me a Pallet (trad, new arr by John Phillips and Richard Weissman)       3:18
    Has been widely sung throughout the South since the days when 
    it was popular with the pioneer New Orleans jazz bands. In the
    repetoire of every itinerant street singer of those days, this
    old blues song takes on a nostalgic-but-new sound here with 
    original lyrics by Dick and John.
 4) Chase the Rising Sun (Richard Weissman and John Phillips)                    2:15
    Takes its melody from part of an original banjo suite by Dick,
    and he and John wrote the lyrics. It's a mischievious account 
    of a flirtatious gal, and the Journeymen go all out in a
    flurry of peppery vocal and instrumental work that challenges 
    any listener to sit still.
 5) Cumberland Mountain Deer Chase 
    (trad, new arr by John Phillips and Richard Weissman)                        1:27
    Is a traditional Cumberland Mountain tune which was sung by 
    Uncle Dave Macon, an original star of "TheGrand Ole Opry." 
    In it, the hunters relax around the fire, swapping yarns while 
    the hounds pursue their quarry. Dick's banjo runs pell-mell 
    throughout, and manages to keep up with the dogs. Note the 
    touch of realism in the hound's bay as the tune ends.
 6) Gilgara Mountain (trad, new arr by John Phillips and Richard Weissman)       2:08
    (This song is more commonly known as "Whiskey In the Jar")
    A humerous song-tale of a devil-may-care rascal and his 
    escapades, comes straight from Ireland where it's called 
    "Gilgarry Mountain." Containing nonsense refrains, a common
    feature of many folk songs, it provides a rousing finish 
    to the album.