Lineage...
Turntable - A vintage VIP Boyscout circa 1966 recently upgraded with a custom plinth hand made of Nubian Dragon wood illegally harvested from Djibouti at great personal risk but used for it's exceptionally nubian tonal response.
Tonearm - SMEK series 1984 modded with X-1R Crawler Track Lubricant from the Space Shuttle to give an out of this world character.
Cartridge - Koetsuzuki Ivory Platinum, a very limited production run of fifty three units, each one hand carved from a white key removed from the Blüthner Grand Piano that was used by The Beatles during the "Let it Be" sessions. The resulting musicality and magical aura is thought to be obvious to all.
Phono stage - Womanley Labs Marlin all tube stage with Russian Svetlanovski tubes that have had a few hundred months burn in time as used in the system of Sergei Rachmaninov as he listened to RCA Victor Program Transcription pressings of Beethoven symphonies for inspiration.
A/D converter - Apologee Schmenke 192 converter with firewire and vintage ESDI interfaces.
Cables - Galemark exclusively uses and endorses Lardas cables. They give him his signature fat sound. (Actually, Galemark would like you to know that he never uses any product as pedestrian as Lardas, but since they are paying him big bucks for the endorsement deal, that is what he is telling people.)
Software - Audacious for Vistakon OS with proprietary dither program written for me by Peter Gotcher because we're boys.
Cleaning - VIP Monsoon machine with a top secret fluid. This special enzymatic fluid is made with several proprietary agents, including pure bile removed from Steve Hoffman's gall bladder during his recent back surgery. The Hoffman magic shines through on every one of my drops.
Ugh...okay...I made all of that up...here is the actual "mid-fi" system that was used...
Fisher Direct Drive Turntable MT-6225
Audio-Technica AT440MLa Cartridge
Marantz Model 2230 Receiver (Phono Pre)
Digidesign Digi 001 (ProTools Hardware)
Protools Software (pencil tool, levels and track splits) Tracks recorded and processed at 24/48. Post processing is done at this rate then the Redbook files are created by dithering to 16/44.1.
No ClickRepair on this one. Completely cleaned with Au3 single click tool.
Stray pops missed by CR manually removed with Audition single click tool (never batch processed).
No other signal processing is used.
Another quality GALEMARK needledrop
"When you care enough to send the very best"
Always traded, never sold
Always trade lossless
Another quality GALEMARK needledrop
Carole King brought the fledgling singer/songwriter phenomenon to the masses with Tapestry, one of the most successful albums in pop music history. A remarkably expressive and intimate record, it's a work of consummate craftsmanship. Always a superior pop composer, King reaches even greater heights as a performer; new songs like the hits "It's Too Late" and "I Feel the Earth Move" rank solidly with past glories, while chestnuts like "You've Got a Friend," "Will You Still Love Me Tomorrow," and "(You Make Me Feel Like) A Natural Woman" take on added resonance when delivered in her own warm, compelling voice. With its reliance on pianos and gentle drumming, Tapestry is a light and airy work on its surface, occasionally skirting the boundaries of jazz, but it's also an intensely emotional record, the songs confessional and direct; in its time it connected with listeners like few records before it, and it remains an illuminating experience decades later.