« Back to Top Level | Steve Reich

Steve Reich - Phases - A Nonesuch Retrospective

Track listing:
Volume 1
  1. Full Cd In Ape With Cue 67:42
  2. Pulses 5:26
  3. Section I 3:58
  4. Section Ii 5:13
  5. Section Iiia 3:55
  6. Section Iiib 3:45
  7. Section Iv 6:36
  8. Section V 6:48
  9. Section Vi 4:54
  10. Section Vii 4:19
  11. Section Viii 3:34
  12. Section Ix 5:23
  13. Section X 1:50
  14. Section Xi 5:44
  15. Pulses 6:11
Volume 2
  1. Full Cd In Ape With Cue 75:00
  2. Different Trains 1. America - Before The War 8:58
  3. Different Trains 2. Europe - During The War 7:31
  4. Different Trains 3. After The War 10:21
  5. Tehillim Part I: Fast 11:45
  6. Tehillim Part Ii: Fast 5:54
  7. Tehillim Part Iii: Slow 6:18
  8. Tehillim Part Iv: Fast 6:23
  9. Eight Lines 17:29
Volume 3
  1. Full Cd In Ape With Cue 79:36
  2. You Are (Variations) - 1. You Are Wherever Your Thoughts Are 13:14
  3. You Are (Variations) - 2. Shiviti Hashem L'negdi (I Place The Eternal Before Me) 4:15
  4. You Are (Variations) - 3. Explanations Come To An End Somewhere 5:24
  5. You Are (Variations) - 4. Ehmore M'ant, V'ahsay Harbay (Say Little And Do Much) 4:03
  6. New York Counterpoint - 1. Fast 5:03
  7. New York Counterpoint - 2. Slow 2:43
  8. New York Counterpoint - 3. Fast 3:32
  9. Cello Counterpoint 11:31
  10. Electric Counterpoint - 1. Fast 6:51
  11. Electric Counterpoint - 2. Slow 3:21
  12. Electric Counterpoint - 3. Fast 4:30
  13. Triple Quartet - 1. First Movement 7:10
  14. Triple Quartet - 2. Second Movement 4:04
  15. Triple Quartet - 3. Third Movement 3:28
Volume 4
  1. Full Cd In Ape With Cue 75:14
  2. Come Out 12:55
  3. Proverb 14:06
  4. The Desert Music - First Movement (Fast) 7:53
  5. The Desert Music - Second Movement (Moderate) 6:59
  6. The Desert Music - Third Movement, Part One (Slow) 6:59
  7. The Desert Music - Third Movement, Part Two (Moderate) 5:53
  8. The Desert Music - Third Movement, Part Three (Slow) 5:54
  9. The Desert Music - Fourth Movement (Moderate) 3:35
  10. The Desert Music - Fifth Movement (Fast) 10:47
Volume 5
  1. Full Cd In Ape With Cue 73:42
  2. Music For Mallet Instruments, Voices, And Organ 16:50
  3. Drumming: Part I 17:30
  4. Drumming: Part Ii 18:10
  5. Drumming: Part Iii 11:12
  6. Drumming: Part Iv 9:50

Notes


Steve Reich / Phases: a Nonesuch Retrospective Phases (5-CD Set)

Nonesuch 79962-25
KCLS 2057437515
______________________
When the history book is written on the minimalist scene that emerged in the 1960s, it’s likely that composer Steve Reich will emerge as the most influential figure. Certainly artists including Philip Glass and Terry Riley have made extremely significant contributions to contemporary classical music and have evolved, like Reich, beyond the inherent constraints of the genre. But Reich’s influence can be felt in music by artists as diverse as German bassist Eberhard Weber, guitar legend Pat Metheny and British progressive rock groups Soft Machine and Gentle Giant. Even Mike Oldfield’s classic Tubular Bells had considerable precedent in Reich’s work.

The box set manages to include almost all of Reich’s best-known and influential work. “Drumming” (1971) relies heavily on, no surprise, percussion instruments (tuned and untuned) to evolve its 56-minute, four-movement form. Reich’s interest in utilizing lyrical fragments in repeated form to act as the foundation for long-form composition is well-represented on the 1994 version of “Tehillim” (1981) and the more advanced “You Are (Variations).” What’s not necessarily evident when listening to these vocal pieces, as well as “Different Trains” (1988), which features the Kronos Quartet and recordings of voices from before, during and after World War II, is the amount of effort required of Reich to find just the right phrases that would not only work from a rhythmical perspective, but in their actual meaning as well. “You Are (Variations)” works best, with the music integrating perfectly with the phrases that make up the four movements (two in English and two in Hebrew): “You are whatever your thoughts are”; “I place the Eternal before me”; “Explanations come to an end somewhere”; and, perhaps the most revealing movement, “Say little and do much.”
______________________
Steve Reich
Phases: A Nonesuch Retrospective
Nonesuch 79962-25
2006

Disc 1.
Music for 18 musicians

Disc 2.
Different trains
Tehillim Eight lines

Disc 3.
You are (variations)
New York counterpointCello counterpoint
Electric counterpoint
Triple quartet

Disc 4.
Come out
Proverb
Desert music

Disc 5.
Music for mallet instruments, voices, and organ
Drumming.


______________________

Release Date: 09/26/2006
Label: NONESUCH
Catalog No.: 79962


Track List
Disc One
Music for 18 Musicians (1976) 67:42
for 4 female voices & 16 instruments
Conductor - Ensemble: Reich, Steve - Steve Reich Ensemble
Performers: Armstrong, Rebecca - Soprano ; Beckenstein, Marion - Soprano ; Becker, Bob - Percussion ; Bensman, Cheryl - Soprano ; Bush, Phillip - Percussion ; Bush, Phillip - Piano ; Clayton, Jay - Alto ; Clayton, Jay - Piano ; Ferchen, Timothy - Percussion ; Hartenberger, Russ - Percussion ; Kvistad, Garry - Percussion ; Kvistad, Garry - Piano ; LeBlanc, Jeanne - Cello ; Lim, Elizabeth - Violin ; Niemann, Edmund - Piano ; Preiss, James - Piano ; Preiss, James - Vibraphone ; Reich, Steve - Marimba ; Reich, Steve - Piano ; Scott, Les - Clarinet ; Tilles, Nurit - Piano ; Wheeler, Thad - Percussion ; Ziporyn, Evan - Clarinet

Disc Two
Different Trains (1988) 26:51
for double string quartet & tape
Performers: Dutt, Hank - Viola ; Harrington, David - Violin ; Jeanrenaud, Joan - Cello ; Sherba, John - Violin

Tehillim (revision of "Octet") (1981) 30:29
for sopranos, alto, winds, strings, percussion & keyboards
Conductor - Ensemble: Leeuw, Reinbert de - Schoenberg Ensemble , The Hague Percussion Group
Performers: Benschop, Yvonne - Mezzo Soprano ; Borden, Barbara - Soprano ; Goud, Ananda - Mezzo Soprano ; Willemstijn, Tannie - Soprano

Eight Lines (1979) 17:29
for chamber orchestra
Conductor - Ensemble: Lubman, Bradley - Bang on a Can
Performers: Carrasco, Jacqueline - Violin ; Fedele, David - Flute ; Fedele, David - Piccolo ; Kitzis, Gregor - Violin ; Knowles, Liz - Violin ; Lawrence, Ron - Viola ; Lowenstern, Michael - Bass Clarinet ; Lowenstern, Michael - Clarinet ; Monson, Patti - Flute ; Monson, Patti - Piccolo ; Mooke, Martha - Viola ; Niemann, Edmund - Piano ; Passelink, Greg - Cello ; Reynolds, Todd - Violin ; Stewart, Mark - Cello ; Tilles, Nurit - Piano ; Ziporyn, Evan - Bass Clarinet ; Ziporyn, Evan - Clarinet

Disc Three
You Are (Variations) (2004) 27:00
for chorus & ensemble
Conductor - Ensemble: Gershon, Grant - Los Angeles Master Chorale

New York Counterpoint (1985) 11:19
for clarinet, bass clarinet & tape
Performers: Ziporyn, Evan - Bass Clarinet ; Ziporyn, Evan - Clarinet
This work is scored for nine B-flat clarinets and three bass clarinets pre-recorded separately by one performer then sampled onto a tape

Cello Counterpoint (2003) 11:36
for cello & pre-recorded tape (or 8 cellos)
Performers: Beiser, Maya - Cello
Cello Counterpoint is scored for one live cello accompanied by a tape of seven previously recorded cello tracks. Maya Beiser plays all eight of the cello tracks heard on this recording. Kilgore Sound & Recording, New York, NY (09/29/2003 - 09/30/2003)

Electric Counterpoint (1987) 14:43
for electric guitar, bass guitar & tape
Performers: Metheny, Pat - Electric Double Bass ; Metheny, Pat - Electric Guitar
This work is scored for ten electric guitars and two electric bass guitars pre-recorded separately by one performer and sampled onto a tape. An eleventh guitar part is played live against the tape.

Triple Quartet (1999) 14:42
for 3 string quartets
Performers: Culp, Jennifer - Cello ; Dutt, Hank - Viola ; Harrington, David - Violin ; Sherba, John - Violin
This is a work for string quartet and tape. Skywalker Sound, Nicasio, California (1999 - 2000)

Disc Four
Come Out (1966) 12:59
for tape

Proverb (1995) 14:11
for 3 sopranos, 2 tenors, 2 vibes & 2 organs

The Desert Music (1984) 48:00
chamber version
Conductor - Ensemble: Thomas, Michael Tilson - Brooklyn Philharmonic Chorus , Brooklyn Philharmonic Orchestra members , Steve Reich and Musicians
Text by William Carlos Williams[

Disc Five
Music for Mallet Instruments(1973) 16:58
for Voices and Organ, 3 female voices, 3 marimbas, 3 glockenspiels, vibes & organ
Performers: Steve Reich and Steve Reich and Musicians

Drumming (1971) 56:42
for 2 female voices, piccolo, 4 pairs of bongos, 3 marimbas & 3 glockenspiels
Conductor - Ensemble: Reich, Steve - Steve Reich and Musicians
Performers: Becker, Bob - Percussion ; Clayton, Jay - Alto ; Harms, Ben - Percussion ; Hartenberger, Russ - Percussion ; Kvistad, Garry - Percussion ; Preiss, James - Percussion ; Reich, Steve - Percussion ; Reich, Steve - Whistling ; Schall, Gary - Percussion ; Silver, Mort - Piccolo ; Velez, Glen - Percussion ; Wheeler, Thad - Percussion ; Wood Ambush, Pamela - Voice