Notes

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The former L.A. street musician's major label breakthrough was in a great many ways a far weaker outing than what came before, largely due to a plodding band unwisely inserted behind Hawkins that tends to distract rather than enhance his impassioned vocals and rich acoustic guitar strumming. Mostly originals ("There Stands the Glass" returns, as does "Ladder of Success") that would have sounded so much better in an intimate solo context.