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Nanci Griffith - The Complete MCA Studio Recordings (1988)

Track listing:
CD1
  1. Tumble And Fall 2:37
  2. Lone Star State Of Mind 3:54
  3. Cold Hearts/Closed Minds 2:38
  4. From A Distance 4:11
  5. Beacon Street 2:50
  6. Nickel Dreams 2:48
  7. Sing One For Sister 3:18
  8. Ford Econoline 2:10
  9. Trouble In The Fields 3:18
  10. Love In A Memory 3:17
  11. Let It Shine On Me 2:59
  12. There's A Light Beyond These W 4:20
  13. Anyone Can Be Somebody's Fool 2:37
  14. I Knew Love 3:15
  15. Never Mind 3:31
  16. Love Wore A Halo (Back Before 3:20
  17. So Long Ago 4:03
  18. Gulf Coast Highway (Duet With 3:00
  19. Little Love Affairs 3:00
  20. I Wish It Would Rain 2:36
  21. Outbound Plane 2:36
  22. I Would Change My Life 3:03
  23. Sweet Dreams Will Come 4:20
  24. Wooden Heart 2:26
CD2
  1. I Don't Want To Talk About Lov 4:04
  2. Drive-In Movies And Dashboard 3:09
  3. You Made This Love A Teardrop 3:03
  4. Brave Companion Of The Road 3:15
  5. Storms 3:04
  6. It's A Hard Life Wherever You 3:58
  7. If Wishes Were Changes 3:42
  8. Listen To The Radio 3:42
  9. Leaving The Harbor 3:25
  10. Radio Fragile 5:26
  11. It's Just Another Morning Here 4:15
  12. Late Night Grande Hotel 3:30
  13. It's Too Late 2:15
  14. Fields Of Summer 4:16
  15. Heaven 3:26
  16. The Power Lines 2:34
  17. Hometown Streets 4:04
  18. Down 'N' Outer 2:39
  19. One Blade Shy Of A Sharp Edge 2:54
  20. The Sun, Moon And Stars 4:19
  21. San Diego Serenade 3:22
  22. Stand Your Ground 3:47

Notes

The standard line on Nanci Griffith's five-year sojourn at MCA Records is that Griffith, a Texas-born singer/songwriter, earned a major-label Nashville contract after four independent folkie releases on the basis of Kathy Mattea's Top Ten country recording of her song "Love at the Five and Dime," at a time when country music seemed more open to new sounds and MCA's Tony Brown was also signing such mavericks as Steve Earle and Lyle Lovett. But after two albums, Lone Star State of Mind (1987) and Little Love Affairs (1988), met resistance, failing to produce a major country hit, Griffith was transferred to the label's pop division, where Storms (1989) showed promise but Late Night Grande Hotel (1991) turned out to be too much of a pop move and turned off her existing fan base without attracting a new one. Then MCA dropped her. After a sojourn at Elektra Records, Griffith returned to indie status with Rounder in 2002, which oddly landed her back at MCA, since the major had a distribution deal with Rounder. MCA has also reissued Griffith's early albums, which gives the label a considerable stake in her catalog. So, there is a full-priced one-disc compilation of her actual MCA recordings (From a Distance: The Very Best of Nanci Griffith), a discount-priced Millennium Collection best-of, and now this two-disc package combining all four MCA albums with a few rarities. And when you listen to it from beginning to end, the standard line no longer seems to hold. The first two albums are no more country than Griffith's early "folk" albums, and the last two are not so "pop." The distinctions have more to do with production approaches, which pale before the dominant aspects of the music — Griffith's sweet and sour voice with its distinctive twang and the terrific songs. Maybe there was something to the notion that Griffith, who delighted in showing listeners what novel she was reading on her album covers, was a bit too erudite for a Nashville thrush, but the result is a set of songs, written by her and some well-chosen others, that stand up well a decade later and are likely to sound just as good many decades hence.