Notes

---

Size: 83.3 MB
Bitrate: 256
mp3
Ripped by: ChrisGoesRock
Artwork Included
Source: Japan 24-Bit Remaster

Johnny the Fox is the seventh studio album by Irish band Thin Lizzy, released in 1976. This album was written and recorded while bassist/vocalist Phil Lynott was recovering from a bout of hepatitis that put him off the road halfway through the previous Jailbreak tour. "Don't Believe a Word" was a British hit single, and the track "Johnny the Fox Meets Jimmy the Weed" features on the Ultimate Breaks And Beats series.

Recording
Once Lynott had returned to the UK from the aborted US tour in June 1976, when they had been scheduled to support Rainbow, he spent time in hospital in Manchester recovering from hepatitis. He had an acoustic guitar with him and wrote the songs for Johnny the Fox during June and July, with one outing to play a gig at Hammersmith Odeon on 11 July. After his release from hospital, Lynott joined the other members of the band and travelled to Munich in August to record the album at Musicland Studios with producer John Alcock. Alcock has said that the decision to record outside the UK was for tax reasons.

Early in the recording process, it became clear that neither the band nor the production team were happy with the studios or the recording process, and they experienced particular trouble obtaining a satisfactory drum sound. Lynott was still finishing the songwriting and, according to Alcock, the band were arguing about musical direction. After two weeks, they abandoned the sessions and returned to Ramport Studios in Battersea (where the previous Jailbreak album had been recorded), and Olympic Studios in Barnes, London. Guitarist Brian Robertson has said that there was plenty of material from which to choose for the album, up to eight or nine tracks apart from the ten that appeared on the final album. However, Alcock claims that the album suffered because Lynott needed more time to finish the songs, and that some tracks, like "Boogie Woogie Dance", were not strong enough to make the album.

Songs
Lynott and Robertson also clashed over musical differences, such as the composition of "Don't Believe a Word". When Lynott first played the song in a slow 12-bar blues format, Robertson claimed it was "shite" and Lynott disappeared for a few days. Robertson then felt that he may have been a little harsh about the song, and he and drummer Brian Downey decided to rework it. Downey devised a faster shuffle rhythm, and Robertson wrote the guitar riff and Lynott was pleased with the outcome when he returned to the studio. Robertson was annoyed when the song was released, credited solely to Lynott, as he felt that all three members should have been credited. Johnny the Fox proved to be the last Thin Lizzy album on which Robertson featured as a full member of the band, as the personality clashes between him and Lynott resulted in Robertson being sacked, reinstated, and later sacked again.

Robertson also co-wrote a song with Lynott, "Borderline", for which he did receive a writing credit. He later revealed that the song was written about a girlfriend: "I was really in love, [but] she hated me. I was extremely down when I wrote it."[2] According to Robertson, Lynott wrote "Rocky" with him in mind.

John Alcock has stated that "Massacre" was written in the studio. The lyric for the song came after Lynott was visited in hospital by a Protestant clergyman, and Catholic Lynott grew uptight and became defensive. Later he regretted his reaction, and wrote the lyric condemning religious prejudice. "Fool's Gold" was inspired by the Irish Potato Famine of 1845–1852. The lyric imagines Irish people travelling to America to escape the famine and start a new life.

The album also included two tracks with the name "Johnny" in their titles as well as the album title itself, a character by that name having already appeared in earlier songs such as "Showdown" and "The Boys Are Back in Town". Guitarist Scott Gorham noted the name's proliferation: "Phil should've been this guy's publicity agent, as he was cropping up everywhere!".

Backing musicians
Phil Collins of Genesis was brought in to contribute some percussion to one or more tracks, seemingly because he was a friend of Lynott's. Robertson later said, "Collins was just a mate of Phil's... I think Phil probably just wanted to get him on the album to name-drop." Neither Robertson nor Downey were able to remember which songs Collins played on.

Irish musician Fiachra Trench provided string arrangements and occasional bass guitar, while Kim Beacon of String Driven Thing sang backing vocals. Again, none of the band members could recall which song(s) Beacon appeared on. Robertson claimed that Beacon was only used because Frankie Miller was unavailable.

Album cover
Thin Lizzy used their usual cover artist, Jim Fitzpatrick, to design the sleeve for Johnny the Fox, but he was asked to provide the finished design before the album was given a title. When Lynott asked him for something Celtic, but not the usual Celtic rock design, Fitzpatrick drew a neo-gothic Celtic border with a disc in the centre, left blank for the title and central design. When the deadline was approaching and he grew desperate to finish it, he asked Lynott for any idea of a title to inspire him. Lynott replied, "Ah, call it Johnny the Fox, that'll do," and Fitzpatrick drew the fox design and added the title.

Album release and tour
Johnny the Fox was released on 16 October 1976, and reached No.12 in the UK charts. The single "Don't Believe a Word" also reached No.12 in the UK and No.2 in Ireland. Thin Lizzy toured the UK during October and November, supported by American band Clover, led by Huey Lewis. The tour was successful enough that an extra date was added at the Hammersmith Odeon in November. There was also a successful appearance on Rod Stewart's BBC TV show in the UK, where Thin Lizzy upstaged their host by playing live, whereas Stewart mimed.

The tour was scheduled to continue in the US, but this was cancelled after Robertson received a hand injury in a fight at the Speakeasy Club in London. Robertson's friend Frankie Miller was about to be attacked with a glass bottle by the Gonzalez guitarist Gordon Hunte, and Robertson tried to intervene. The bottle cut his hand, badly damaging an artery and a nerve, preventing him from playing guitar effectively for several months.

01."Johnny" – 4:26
02."Rocky" (Brian Downey, Scott Gorham, Lynott) – 3:42
03."Borderline" (Lynott, Brian Robertson) – 4:35
04."Don't Believe a Word" – 2:18
05."Fools Gold" – 3:51
06."Johnny the Fox Meets Jimmy the Weed" (Downey, Gorham, Lynott) – 3:43
07."Old Flame" – 3:10
08."Massacre" (Downey, Gorham, Lynott) – 3:01
09."Sweet Marie" (Gorham, Lynott) – 3:58
10."Boogie Woogie Dance" – 3:07