The Clash sounded like they could do anything on London Calling. For its triple-album followup, Sandinista!, they tried do everything, adding dub, rap, gospel and even children's choruses to the punk, reggae, R&B and roots-rock they already were playing. Instead of presenting a band with a far-reaching vision, like London Calling did, Sandinista! plays as a messy, confused jumble, which means that its numerous virtues are easy to ignore. Amid all the dub experiments, backward tracks, unfinished songs and instrumentals, there's a number of classic Clash songs which rank among their best, including "Police on My Back," "The Call-Up," "Somebody Got Murdered," "Charlie Don't Surf," "Hitsville U.K.," and "Lightning Strikes (Not Once, But Twice)," yet it's difficult for anyone but the most dedicated listeners to find them. A few of the failed ideas were worth exploring, but even more — like the children's choir version of "Career Opportunities" or the Terry Doggs song "Lose This Skin" — weren't even worth pursuing. As the cliche says, there's a great single album within these three records, and those songs make Sandinista! worthwhile. Nevertheless, its sloppy attack is disheartening after the tour-de-force of London Calling and the focused agression of The Clash. [In 2000 Columbia/Legacy reissued, remastered, and restored the artwork for Sandinista!]