The long-delayed Lest We Forget is a fine-sounding live compilation tape recorded at — with one Mancunian exception — various US gigs in 1979 and 1980.
Nov 25, 1980 Boston
1979 Chicago
1979 Minnesota
Oct 30, 1980 Birmingham
Nov 22, 1980 New Jersey
Nov 24, 1980 Providence RI
Sep 01, 1979 New York [Same NY show as on bootleg CD Legendary Buzzcocks]
While the Buzzcocks were on tour in 1979 and 1980, Joan McNulty, the publisher of their official fan magazine Harmony in My Head (and then-girlfriend of singer Pete Shelley), taped all their shows on cassette the way Judy Garland's husband Mickey recorded her final shows. Decades after these recordings were made, their value is obvious. After lengthy legal haggling between 1982 and the date of release, 1988, Neil Cooper of Reach Out International records was able to issue this very worthwhile series of 19 songs culled from various live performances on the tour. Who better to compile the music than the woman who gave attention to the group before anyone else in the U.S.A.? The cassette tapes were brought up to Blue Jay Studios in Carlisle, MA, the place where the Joe Perry Project, Aimee Mann, Phil Collins, and others worked, and the material was transferred from the master cassettes into organized form. There are tons of Buzzcocks favorites here, energetic versions of "What Do I Get," "Fast Cars," "Airwaves Dream," "Fiction Romance," "Something's Gone Wrong Again," all preserved for the ages, presented with love and care by someone who knew their music as well as the band itself. Boston; Chicago; Minnesota;, New Jersey; Providence, RI; New York; and Birmingham, U.K. are all represented with songs from their respective concerts. As the Doors release all the live tapes from their archives, and artists from Frank Zappa to the Velvet Underground and Jimi Hendrix have their concert tapes being issued to acclaim and sales, Joan McNulty's efforts can be viewed as pioneering. Decades after it was conceived and released, Lest We Forget is as pure a document as you'll find on the tour of a vital power pop band. The recording quality is not state of the art, but that adds to the charm.