Notes

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A two-for-one combo of the first two Big Star albums (they only recorded three). Heard side by side, #1 Record and Radio City only add further testament to Big Star's seminal greatness. On the first album, Chris Bell and Alex Chilton share songwriting credit, though each brings a remarkably different sensibility to the band: Bell creates pure pop nuggets ("Feel") while Chilton swaggers with reckless melancholy ("Ballad of El Goodo," "Thirteen."). After Bell's departure, Chilton took control of the helm for Radio City, and what a ride it is. While not abandoning Bell's penchant for pop, Radio City careens wildly through some of the most exhilarating music ever created, from the rave-up opener, "O My Soul," to the pure pop masterpiece "September Girls" to the whimsical ditty "I'm in Love with a Girl." It's too bad that Big Star didn't create more albums, but thank God they made the ones they did. --Tod Nelson

The problem with coming in late on an artwork lauded as "influential" is that you've probably encountered the work it influenced first, so its truly innovative qualities are lost. Thus, if you are hearing Big Star's debut album for the first time decades after its release (as, inevitably, most people must), you may be reminded of Tom Petty and the Heartbreakers or R.E.M., who came after—that is, if you don't think of the Byrds and the Beatles, circa 1965. What was remarkable about #1 Record in 1972 was that nobody except Big Star (and maybe Badfinger and the Raspberries) wanted to sound like this—simple, light pop with sweet harmonies and jangly guitars. Since then, dozens of bands have rediscovered those pleasures. But in a way, that's an advantage because, whatever freshness is lost across the years, Big Star's craft is only confirmed. These are sturdy songs, feelingly performed, and once you get beyond the style to the content, you'll still be impressed.