The Who Who's Next Original U.S Decca Pressing Vinyl Rip Flac With Bonus
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Who's Next
Studio album by The Who
Released 31 July 1971
Recorded March–May 1971, Olympic Studios, London
Genre Rock, hard rock[1]
Length 43:38
Language English
Label Decca/MCA
Producer The Who, Glyn Johns (associate producer)
Professional reviews
* Allmusic 5/5 stars link
* Blender 5/5 stars link
* BBC Music (very favorable) link
* Robert Christgau (A) link
* PopMatters (very favorable) link
* Rolling Stone 5/5 stars link
* Sputnikmusic 4.5/5 stars link
Singles from Who's Next
1. "Won't Get Fooled Again"
Released: 25 June 1971
2. "Behind Blue Eyes"
Released: 1971
3. "Baba O'Riley"
Released: November 1971
Who's Next is the fifth album by the English rock band The Who. It was released on 31 July 1971 by Decca and MCA in the United States and 25 August 1971 in the United Kingdom through Track and Polydor. The album has origins in a rock opera conceived by Pete Townshend called Lifehouse. The ambitious, complex project did not come to fruition at the time and instead, many of the songs written for the project were compiled onto Who's Next as a collection of unrelated songs. Who's Next was a critical and commercial success when it was released, and has been certified 3x platinum by the RIAA.[2]
Contents
The Lifehouse project
The album has its roots in the Lifehouse project, which Who leader Pete Townshend has variously described as intended to be a futuristic rock opera, a live-recorded concept album and as the music for a scripted film project. The project proved to be intractable on several levels and caused stress within the band as well as a major falling out between Townshend and The Who's producer Kit Lambert. Years later, in the liner notes to the remastered Who's Next CD, Townshend wrote that the failure of the project led him to the verge of a suicidal nervous breakdown.
After giving up on recording some of the Lifehouse tracks in New York, The Who went back into the studio with new producer Glyn Johns and started over. Although the Lifehouse concept was abandoned, scraps of the project remained present in the final album. The introductory line to "Pure and Easy"—which Townshend has described as "the central pivot of Lifehouse"—shows up in the closing bars of "The Song Is Over". An early concept for Lifehouse featured the feeding of personal data from audience members into the controller of an early analog synthesizer to create musical tracks. It was widely believed that inputting the vital statistics of Meher Baba into a synthesizer generated the backing track on "Baba O'Riley", but in actuality it was Townshend playing a Lowrey organ.[3] A primary result of the abandonment of the original project, however, was a newfound freedom; the very absence of an overriding musical theme or storyline (which had been the basis of several previous Who projects) allowed the band to concentrate on maximizing the impact of individual tracks.
Although he gave up his original intentions for the Lifehouse project, Townshend continued to develop the concepts, revisiting them in later albums. In 2006 he opened a website called The Lifehouse Method to accept personal input from applicants which would be turned into musical portraits.
Arrangement and songs
The album was immediately recognized for its dynamic and unique sound. The album fortuitously fell at a time when great advances had been made in sound engineering over the previous decade, and also shortly after the widespread availability of music synthesizers. The result was a sound that was absolutely stunning at the time, and rather unprecedented in rock music (although disliked by some traditional Who fans of the time). However, as full and brash as the sound is on most of the album there are contrasts with finger-picked acoustic guitar, and Roger Daltrey's swaggering vocals alternate with quieter introspective moments.
Townshend used the early synthesizers and modified keyboard sounds in several modes: as a drone effect on several songs, notably "Baba O'Riley" and "Won't Get Fooled Again", and as a playful noisemaker, sounding almost like a teakettle whistle on "The Song Is Over". Townshend also used an envelope follower to modulate the spectrum of his guitar on "Going Mobile", giving it a distinctive squawking sound that degenerates into a bubbling noise at the end of the song.
The album opened with the innovative "Baba O'Riley", featuring piano by Townshend and a violin solo by Dave Arbus. The song's title pays homage to Townshend's guru Meher Baba and influential minimalist composer Terry Riley (and is informally known by the line "Teenage Wasteland"). Other signature tracks include the ballad "Behind Blue Eyes", and the album's closing song, the epic "Won't Get Fooled Again", but others such as "Bargain", "My Wife" and "Going Mobile" remain fan favourites.
Cover art
The album cover shows a photograph, taken at Easington Colliery, of the band apparently having just urinated on a large concrete piling protruding from a slag heap. According to photographer Ethan A. Russell, most of the members were unable to urinate, so rainwater was tipped from an empty film canister to achieve the desired effect. The photograph is often seen to be a reference to the monolith discovered on the moon in the film 2001: A Space Odyssey, which had been released only about three years earlier.[4] Director Stanley Kubrick had declined to direct the Tommy (1975) film version of their earlier rock opera; though the film didn't materialize until the mid-seventies it existed as a plan, and was ultimately directed by Ken Russell. In 2003, the United States cable television channel VH1 named Who's Next's front cover the second greatest album cover of all time.
An earlier cover design had featured photographs of obese nude females and has been published elsewhere, but never actually appeared on the album. An alternate cover featured drummer Keith Moon dressed in black lingerie, holding a rope whip, and wearing a brown wig. Some of the photographs taken during these sessions were later used as part of Decca's United States promotion of the album.[5]
Recording sessions
* 1970/71 – Demo sessions at the home studios of Pete Townshend and John Entwistle that produced two reels of songs.
* January–March 1971 – Live recordings at the Young Vic (mobile Studio).
* March 1971 – New York sessions at the Record Plant, Lifehouse songs recorded with Kit Lambert and Jack Adams at the desk. These sessions were abandoned, along with the Lifehouse concept.
* 26 April 1971 – Final Lifehouse concert which was recorded and later released (in part) on disc 2 of the Deluxe Edition of Who's Next
* May 1971 – Recording at Stargroves Studio London, the sessions were abandoned.
* May–June 1971 – Olympic Studios in Barnes produced by The Who with associate producer Glyn Johns. The Olympic sessions were used for the original vinyl LP album.
The album has now been re-issued in many countries and remastered several times using tapes from different sessions. The master tapes for the Olympic sessions are believed to be lost or destroyed. Video game publisher Harmonix had previously announced that Who's Next would be released as downloadable, playable content for the music video game series Rock Band. However, this never came to fruition, since it was discovered that much of the master tapes to the album were missing, as confirmed by Townshend.[6][7] Instead, a compilation of Who songs dubbed "The Best of The Who," which includes three of the album's songs ("Behind Blue Eyes", "Baba O'Riley", and "Going Mobile"), was released as downloadable content, in lieu of the earlier-promised Who's Next album.[8]
Accolades
Who's Next has been named one of the best albums of all time by VH1 (#13) and Rolling Stone (#28). Upon its release it was named the best album of the year in The Village Voice Pazz & Jop critics poll.[9] It was also ranked #3 in Guitar World's Greatest Classic Rock Albums list. Many of its nine tracks are perennial favourites on classic rock radio, especially "Baba O'Riley", "Bargain", "Behind Blue Eyes", and the closing track "Won't Get Fooled Again". The album appeared at number 15 on Pitchfork Media's top 100 albums of the 1970s.[10] The album is also included in the book 1001 Albums You Must Hear Before You Die.[11] In 2006, the album was chosen by Time Magazine as one of the 100 best albums of all time.[12] In 2007 it was also inducted into the Grammy Hall of Fame for "historical, artistic and significant" value. In 1999 it was the subject of a Classic Albums documentary produced by Eagle Rock Entertainment which has aired on VH1 and BBC among others.
Track listing
All songs written and composed by Pete Townshend, except where noted.
Side one
1. "Baba O'Riley" – 5:11
2. "Bargain" – 5:33
3. "Love Ain't for Keeping" – 2:12
4. "My Wife" (John Entwistle) – 3:41
5. "The Song Is Over" – 6:16
Side two
6. "Getting in Tune" – 4:50
7. "Going Mobile" – 3:42
8. "Behind Blue Eyes" – 3:42
9. "Won't Get Fooled Again" – 8:32
Also Included
"Pure And Easy"
"Won't Get Fooled Again" (Single Edit)/ "I Don't Even Know Myself"
"Let's See Action" / "When I Was A Boy"
"Join Together" / Baby Don't You Do It (Live)"
"Relay" / "Waspman"
"Too Much Of Anything"
Personnel
The Who
* Roger Daltrey — lead vocals on tracks 1, 2, 3, 6, 8 and 9; co-lead vocal on track 5, harmonica on "I Don't Even Know Myself"
* Pete Townshend — guitar, organ, VCS3 and ARP synthesizer, vocals, and piano on 'Baba O'Riley'; lead vocal on "Going Mobile" & the original version of "Love Ain't for Keeping", co-lead vocal on tracks 1, 2 and 5
* John Entwistle — bass guitar; brass, vocals and piano on "My Wife"
* Keith Moon — drums, percussion
Additional musicians
* Nicky Hopkins — piano on "Song Is Over" and "Getting in Tune"
* Dave Arbus — violin on "Baba O'Riley"
* Al Kooper — organ on "Behind Blue Eyes"
* Leslie West — guitar on "Baby Don't You Do It"
Production
* The Who — producer
* Glyn Johns — Associate producer, mixed
* Kit Lambert, Chris Stamp, Pete Kameron — executive producers
* Photography — Ethan A. Russell
* Design — John Kosh
Sales chart performance
Album
Year Chart Position Notes
1971 Billboard Pop Albums 4[14]
1971 UK Chart Album 1[15]
2003 Billboard's Pop Catalog (North America) 5[citation needed] Deluxe Edition
Singles
Year Single Chart Position
1971 "Behind Blue Eyes" Billboard Pop Singles 34[16]
1971 "Won't Get Fooled Again" Billboard Pop Singles 15[16]
1971 "Won't Get Fooled Again" UK Singles Chart 9[15]
Sales certifications
Organization Level Date
RIAA – U.S. Gold 16 September 1971[2]
RIAA – U.S. Platinum 8 February 1993[2]
RIAA – U.S. 3x Platinum 8 February 1993[2]
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