Blind Faith U.S RSO 180 Gram Reissue Vinyl Rip Flac
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Blind Faith
Studio album by Blind Faith
Released August, 1969
Recorded February 20-June 24, 1969
Olympic & Morgan Studios, London, England
Genre British blues, psychedelic rock, hard rock, folk rock
Length 42:12
Label Polydor U.K./Canada, Atco U.S.
Producer Jimmy Miller
Professional reviews
* Allmusic.com 4/5 stars link
* Robert Christgau (B) link
Alternative cover
Blind Faith is the self-titled album by the British supergroup Blind Faith, which consisted of Eric Clapton (The Yardbirds, Cream), Ginger Baker (Graham Bond Organisation, Cream), Steve Winwood (Spencer Davis Group, Traffic) and Ric Grech (Family).
There was an intense buzz about the band and its debut album Blind Faith, which on release topped Billboard's Pop Albums chart in America (as it did the UK and Canadian charts) and peaked at #40 on the Black Albums chart, an impressive feat for a British rock quartet. In addition, Rolling Stone published three reviews of the album in their September 6, 1969 issue, which were written by Ed Leimbacher, Lester Bangs, and John Morthland.
They began to work out songs early in 1969, and in February and March the group was in London at Morgan Studios, preparing for the beginnings of basic tracks for their album, although the first few almost finished songs didn't show up until they were at Olympic Studios in April and May under the direction of producer Jimmy Miller. The music community was already aware of the linkup, despite Clapton's claim that he was cutting an album of his own on which Winwood would play. The rock press wasn't buying any of it, knowing that Baker was involved as well, and then the promoters and record companies got involved, pushing those concerned for an album and a tour.
The recording of their album was interrupted by a tour of Scandinavia, then a U.S. tour from July 11 (Newport) to August 24 (Hawaii), supported by Free, Taste and Delaney & Bonnie and Friends. Although a chart topper the LP was recorded hurriedly and side two consisted of just two songs, one of them a 15-minute jam entitled "Do What You Like." Nevertheless the band was able to produce two classic hits, Winwood's "Can't Find My Way Home" and Clapton's "Presence of the Lord".
An expanded, deluxe edition of the album was released in 2001, with previously unreleased tracks and 'jams' included. Two live tracks from the Hyde Park concert, Sleeping In The Ground by Sam Myers and the Rolling Stones song "Under My Thumb" are also available on Winwood's four-CD retrospective The Finer Things.
Contents
Album cover controversy
The release of the album provoked controversy because the cover featured a topless pubescent girl, holding in her hands a sculpture of an airplane, which some perceived as phallic.[1][2] The U.S. record company issued it with an alternative cover (which showed a photograph of the band on the front) as well as the original cover.
The cover art was created by photographer Bob Seidemann, a personal friend and former flatmate of Clapton's who is primarily known for his photos of Janis Joplin and the Grateful Dead. In the mid-1990s, in an advertising circular intended to help sell lithographic reprints of the famous album cover, he explained his thinking behind the image.[3]
I could not get my hands on the image until out of the mist a concept began to emerge. To symbolize the achievement of human creativity and its expression through technology a space ship was the material object. To carry this new spore into the universe, innocence would be the ideal bearer, a young girl, a girl as young as Shakespeare's Juliet. The space ship would be the fruit of the tree of knowledge and the girl, the fruit of the tree of life.
The space ship could be made by Mick Milligan, a jeweler at the Royal College or Art [sic]. The girl was another matter. If she were too old it would be cheesecake, too young and it would be nothing. The beginning of the transition from girl to woman, that is what I was after. That temporal point, that singular flare of radiant innocence. Where is that girl?
Seidemann wrote that he approached a girl reported to be 14 years old on the London Tube about modelling for the cover, and eventually met with her parents, but that she proved too old for the effect he wanted. Instead, the model he used was her younger sister Mariora Goschen, who was reported to be 11 years old.[4] Mariora initially requested a horse as a fee but was instead paid £40.[4][5][6]
Bizarre rumours both surfaced and were fuelled by the controversy, including that the girl was Baker's daughter or was a groupie kept as a slave by the band. The image, titled "Blind Faith" by Seidemann, became the inspiration for the name of the band itself, which had been unnamed when the artwork was commissioned. According to Seidemann, "It was Eric who elected to not print the name of the band on the cover. The name was instead printed on the wrapper, when the wrapper came off, so did the type." In fact, this had been done previously for The Rolling Stones' 1964 debut album, Traffic's self-titled 1968 album, and The Beatles' albums Rubber Soul (1965) and Revolver (1966).
Track listing
Original version
Side 1
1. "Had to Cry Today" (Steve Winwood) – 8:48
2. "Can't Find My Way Home" (Winwood) – 3:16
3. "Well All Right" (Norman Petty, Buddy Holly, Jerry Allison, Joe B. Mauldin) – 4:27
4. "Presence of the Lord" (Eric Clapton) – 4:50
Side 2
1. "Sea of Joy" (Winwood) – 5:22
2. "Do What You Like" (Ginger Baker) – 15:20
Personnel
* Steve Winwood - organ, piano, guitar, bass, lead vocals
* Eric Clapton - guitar, vocals
* Ric Grech - bass guitar, violin, vocals
* Ginger Baker - drums, percussion.
Production
* Producer: Jimmy Miller
* Engineers: George Chkiantz, Keith Harwood, Andy Johns, Alan O'Duffy
* Mixing: Andy Johns, Jimmy Miller
* Remastering: Suha Gur
* Production coordination: Margaret Goldfarb
* Arranger: Chris Blackwell, Robert Stigwood
* Reissue supervisor: Bill Levenson
* Art direction: Vartan
* Cover design: Stanley Miller, Bob Seidemann
* Cover art: Stanley Miller
* Cover photo: Bob Seidmannn
* Photography: Bob Seidemann
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