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John Cale - State Theatre, Arts Centre, Melbourne 16 October 2010

Track listing:
  1. Start/Tuning 2:22
  2. Child's Christmas In Wales 3:11
  3. Hanky Panky Nohow 3:42
  4. The Endless Plain Of Fortune 3:50
  5. Andalucia 3:34
  6. Paris 1919 3:44
  7. Graham Greene 4:17
  8. Half Past France 5:43
  9. Antarctica Starts Here 2:44
  10. Macbeth 3:17
  11. Hello, There 4:07
  12. Catastrophic 4:00
  13. Whaddya Mean By That 6:31
  14. Look Horizon 6:14
  15. Secret Corriba 5:12
  16. Hedda Gabbler 6:34
  17. Encore 2:49
  18. Gun > Pablo Picasso 13:10
  19. Chorale 3:44

Notes


artist: John Cale
venue: State Theatre, Arts Centre, Melbourne, Australia
event: "When Past & Future Collide", Melbourne Festival, includes "Paris 1919"
date: Saturday 16 October 2010 19:30

http://www.john-cale.com
http://melbournefestival.com.au/program/production?id=3774&idx=54&max=54

(total 88:54)
1. start/tuning (2:22)*
2. Child's Christmas In Wales (3:11)*
3. Hanky Panky Nohow (3:42)*
4. The Endless Plain Of Fortune (3:50)*
5. Andalucia (3:34)*
6. Paris 1919 (3:44)*
7. Graham Greene (5:17)*
8. Half Past France (5:43)*
9. Antarctica Starts Here (2:44)*
10. Macbeth (3:17)*
(intermission)
11. Hello, There (4:07)**
12. Catastrophic (4:00)
13. Whaddya Mean By That (6:31)
14. Look Horizon (6:14)
15. Secret Corriba (5:12)*
16. Hedda Gabbler (6:34)*
17. encore (2:49)
18. Gun > Pablo Picasso (13:10)
19. Chorale (3:44)

John Cale - piano, guitar, vocals
Dustin Boyer - lead guitar
Deantoni Parks - drums
Josh Schwartz - bass
Orchestra Victoria - large string section (*), small brass section (**), conductor

recorded/encoded/seeded on Dime by crankingamps 1Nov10

lineage: Core Sound HEB (matched DPA4061) mics
> Core Sound Battery Box (flat response, no filter)
> Edirol R-09HR digital recorder (line in)
> 16GB PNY Class 6 SDHC Card as 2 24-bit 48kHz .wav files (1 for each set)
> Adobe Audition 3 convert to 16-bit 44.1kHz, normalise (+7db), trim/fade tops/tails (sector aligned)
> FLAC Frontend 1.7.1 (level 8)

notes: recorded seated in 11th row right of centre;
mics at temples on glasses directed straight forward;
no equalisation, no compression, no (added) effects;
tracks 2-10 comprise the "Paris 1919" album;
not for sale or commercial exchange, for trade or give away only;